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erotic painting

Painter Carlo Caselli

Carlo Caselli, well known as " ambassador of Lerici's beauties", really boasts of a dense artistical activity.
He was defined by art critics, expressionist and impressionist painter.
He was born in Turin and he was one of the De Francisco teacher's student who comes from De Chirico School; Caselli was one of the first artists formed in Turin, during the Fifties, inside the "Soffitta Macabra", under the guidance of Lorenzo Alessandri and hence "Arlecchini Association", known for his freedom from all expression tendencies.
Infact Caselli' s painting has always been far from genre tendencies, but it has been imprinted of desire to communicate and to communicate himself.
In Turin Caselli was part of " Cenacolo" and " Bianco e Nero Group" , always busy in the circle of " Piemonte Artistico e Culturale", becoming famous as one of the artists in Turin and Piedmontese artistic scene.
He gave one-man and colletcive art exhibitions in many cities and he attended many competitions, receving very important awards and recognitions such as: in
1967 the gold medal at
40° " Salon de Peinture of Paris" and the first prize at " Concorso d' Autunno Lancia"; in 1976 he won the first prize of " Rassegna Nazionale d' Arte la Mola d'
Oro": in 1978 he also won the first prize " Mostra del Ritratto" in Genoa and the first prize " Italia Suggestiva".
In 1995 Mannesmann Society sponsored and distributed more than 4000 calendars that represent all Caselli works about Lerici, Golfo dei Poeti and Cinque Terre.
Since 1998 Carlo Caselli looks after the cover of the volume created by " Premio Letterario Internazionale Cittą di Lerici".
Carlo Caselli, by his inexhaustible desire to discover and show himself, tests new painting techniques, new subjects, new materials. In this way painting meets sculpture for a figurative style made by colour mixture on the canvans and by fusions of coloured glasses.


 

Painting sculpture, modern painter

Carlo Caselli with its inexhaustible one wants to discover and to discover itself experiences technical new, new subjects, new materials. The painting meets therefore the sculpture in a figurative style modern fact of color pastes works to you on the burlap and fusions of glasses color to you.
 

Oil, Oil on burlap


The traditional oils on burlap marry the woven ones of the alcantara and the velvet, to the search of new shadings and new suggestions. The soft one and smooths down surface of the alcantara always absorbs the color in a harmony of tonality that exalts the suggested dominant ink from the woven one, in transparency, to vanish and to lighten this color. The woven one is great protagonist of the picture, for donargli new life and new breaths. On the velvet instead Cases play in contrast: not abandoning to its motivatings force morbidezza that soffocherebbe the lightness of the paintings in an indistinct gravity, uses it in order to detach some subject from the strong inks, in clean opposition to that one of the woven one. Delineated figures are created very therefore, nearly algid, in contrast with the tepore sense that inspires the velvet.

 

Glasses, Paint on Glasses

Since 1976 Carlo Caselli has been falling in love with Liguria, so that he decided to move to Lerici where he is still living and working, getting inspiration for his art works from the natural beauties and from the people of this sea village.
But Carlo Caselli, excited by an endless desire to discover and show himself, is always looking for new painting techniques, new themes, new materials. Giving voice to his production and induced from a desire to interweave a no ending dialog with the people, Caselli opens in Lerici a standing exposition that becomes, in litteral sense, a suggestive gallery, long and narrow and made in stone.
Here, from time to time, new creations take life in monographical exhibitions, one more suggestive and evocative than the other.
In March 2000 Caselli moved the gallery in a larger showroom always situated in Lerici historical centre, that enable him a space for his studio: in this way everybody who gets in to visit the gallery, can catch Caselli at work.
     
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